There are so many psycho-social, synaesthetic experiences with perceptual and emotive intricacies we do not yet have common words to describe. I think of my paintings and sculptures as pro tem words and letters. Each piece is a word that can be moved around in or on a surface to write different stories. The titles  are also nomadic and change depending on their context. I often apply logic and theory to irrational landscapes to create Deleuzian objects. Eau de Joy, for example, is an inverted container. Its label reads, “Outside of this vessel, all the joy in the world is contained.” Its purpose is to designate a potential field of joy external to its own spatially specific literal vessel, reminding its Perceivers that joy is therefore possible in the zone they inhabit. It is a reminder that we can take an active role as the curators of our own reality. Art does not need to be only a studio practice. A studio does not need to be any smaller than a universe or a life.